First, I can’t remember where I found this link. If it was your blog, I apologize for not giving you credit. Whoever you are.
So here, Therese Fowler’s weblog. She’s got her first novel coming out soon, with a high profile house that’s putting a lot of marketing energy and money into her debut. I’m looking forward to reading her book.
On the other hand, after reading her post on the perennial POV debate and thinking about it for a while, I would like to boil the whole discussion down to a few points and get in my two cents at the same time:
1. POV is one of many technical skill that fiction writers have to master.
2. For some that will be easier than for others. In the same way, all of us have our strengths and weakness (dialog, description, etc etc).
3. Writers reading other writers are far more observant and critical than the average reader out there. In the same way an accomplished tailor will look at a garment and find all kinds of flaws I don’t see, most readers won’t be aware of POV cheats or shortcuts.
4. Nevertheless, I would say that a serious writer works to get these things right.
5. Maybe there’s an annual convention where tailors sit around arguing about hemming shortcuts. I would guess that some of them truly enjoy such ongoing discussions. Authors love to bat around the big questions: POV, present vs. past tense, third vs. first person narration, etc. I’m not such a fan of these discussions, but I can see that they are important to some people.
6. If there is a rule that says: no POV switching within a scene, then that rule is a matter of fashion and aesthetic. Trends come and go in fiction as they do in most things. Minimalism hung on for a long time and has slid away, mostly, into the shadows. The obsession with the semi-colon — fueled to some degree by John Irving in his Garp phase — faded.
7. There’s a difference between breaking a rule, and bending a rule to suit your needs. If you break the rule and the story falls flat because of that, you have not succeeded. You took a chance, it didn’t work. Back up, think it through.
8. Some authors are better at bending the current rules than others.
9. Some don’t care to try, out of fear or laziness or whatever.
10. Rather than contemplating this on-going, never-ending debate, I (and you) should be writing.
Note: In the spirit of full disclosure: I am not Nora Roberts, but I do switch POV within scenes sometimes. I believe that it mostly works for me, but feel free to disagree.