The first version of this post went up in January 2013. I’m revising and reposting it because Amazon is bungling editions, in a rather deceptive and (to me) infuriating way. The update is followed by the original post.
Amazon has a newish feature I actually like, called Kindle Match. If you bought a hard copy of a book from them in the past — and it can be way, way past, fifteen years ago even, you may be able to get the Kindle edition for anywhere between nothing and ten bucks. Most of the titles seem to be at $2.99 or less.
So I was looking through this list and I come across the fact that I bought the Norton Critical Edition of Price and Prejudice in 2006. Why I did that is a different question — I can’t remember why I wanted yet another copy. But as you see here I did indeed buy it in 2006:
A critical edition is the queen of all editions for any book that is considered classic, and the subject of study by academics and scholars. Wikipedia provides a concise description of how critical editions come to be:
Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification and removal of transcription errors in texts, both manuscripts and printed books. Ancient scribes made errors or alterations when copying manuscripts by hand. Given a manuscript copy, several or many copies, but not the original document, the textual critic seeks to reconstruct the original text (the archetype or autograph) as closely as possible. The same processes can be used to attempt to reconstruct intermediate editions, or recensions, of a document’s transcription history. The ultimate objective of the textual critic’s work is the production of a “critical edition” containing a text most closely approximating the original.
Critical editions almost always have additional materials: essays by the editors and/or other scholars, about the book and its history, the author, the time period, and anything else you can think of. There will also be footnotes to clarify terms that may not be familiar to a current day reader. Given all this, it probably won’t surprise you that a critical edition costs more than the run-of-the-mill edition.
To clarify what I mean by ‘run-of-the-mill’ edition (or see this post, in which I was totally cranky, but still on target):
Because P&P is long out of print and copyright, anybody can put out a new edition without paying the author or the author’s estate anything. The result is many, many hundreds of editions of P&P put out on cheap paper, with little or no attention to the quality or accuracy of the text, all in the hope of a bit of a profit. You can find new copies of this novel for a buck, and then used copies of that same edition for a penny.
Do I want the Norton edition as a Kindle book? Need you ask? So I click on the “Get Kindle Edition” button you see, and this is what comes up:
Not the Norton Critical Edition
Here is what the page for the critical edition actually looks like:
This is the real Norton Critical Edition
You see that the critical edition has an editor (Donald J. Gray) and also that I bought it in 2006. But what I was offered as a part of Kindle Match was a crappy movie-tie in edition, one I never bought in soft cover.
To take this one step further (because it gets worse), if I click on the “Kindle Edition” tab on the Norton edition page, this is what I get:
Still not the critical edition
Note that this was not published by Norton, but by “Top Five Classics” — one of the many companies that specialize in run-of-the-mill cheap editions. At this point it occurs to me that there may not even be a Kindle version of the Norton Critical Edition, so I pop over to the Norton website and have a look at the P&P page. And in fact, it’s only put out in trade paper format. (Click on the link if you want to see what all goes into a critical edition.)
In a nutshell: if I pay for the critical edition, I want it. I want it for all the reasons touched on above. If another reader doesn’t care about the edition, s/he won’t even notice the switch. But people should care, because the practice is (a) deceptive and (b) wasteful. I hate to think of all the paper that has gone into crappy editions of this particular novel, one of many. My guess is that you could repeat this process I’m showing you for everything from Gulliver’s Travels to A Room with a View.
Here’s the question: Is Amazon just tremendously sloppy and unwilling to pay attention to something as simple as an ISBN, or is this a way to lure in less-than-attentive buyers?
One of the first things you learn in graduate school is to never walk into a seminar where a particular novel is going to be discussed holding a movie-tie in edition rather than the critical edition. You will not be treated kindly. Also, it’s disrespectful to the editors who put in years of work to make sure the edition is as authentic and error free as possible.
So I’m done venting. I doubt anybody at Amazon will pay attention to my squeaking, but I’m going to keep an eye on this.
January 2013 Post:
I love all things electronic, but when it comes to buying and selling books on the internet I see room for improvement. To be fair, that improvement is coming along nicely. In most areas.
Don’t make Jane angry. You wouldn’t like her when she’s angry.
I’ll demonstrate with (what else?) Pride & Prejudice. There must be a couple hundred editions of P&P in English alone. Poorly done editions, leather-bound editions (and sometimes those two things aren’t mutually exclusive), editions on paper so cheap it makes your fingers itch just to turn the page, critical editions (put together by academics with special care to detail and authenticity), abbreviated and illustrated and annotated editions. Most people don’t realize how different editions can be, or that one might be better than another. If you’ve read one copy of Pride & Prejudice you’ve read them all, is the general belief. This is a widely held misconception, and one that technology is not doing anything to rectify. Just the opposite. Continue reading…