Doping up Baby

It’s often distressing to read 19th century advertisements.  Our great-great grandparents  were just as desperate (and gullible) when it comes to certain aspects of the human condition. Hair loss, for example.  

Weight-loss was just as big a topic back then as it is now, though body image was not quite so awful. 

Nobody likes a crying baby. Parents don’t like their kids to be in pain or distress, and strangers are often pretty intolerant. Do a google search and you’ll see that this is a perennial problem with no easy solution. Sometimes babies just cry. Sometimes babies get really sick, and they scream.  Sometimes overwrought caregivers are driven to extremes. There is no excuse for that, but it happens. It happened then, too.

What’s most disturbing about the 19th century is how unaware they were of the dangers of doping their children. Have a look at this handy dandy cure for the crying baby available at every drugstore.

Stickney & Poor-Paregoric
Stickney & Poor’s Paregoric

It’s a challenge to stay in the mindset of your characters when you’re writing historical fiction.  An intelligent, sensible person who truly believes that there’s nothing dangerous about smoking, or a little laudanum is just what the baby needs, that is sometimes hard to pull off.  I consider it a kind of anachronism to pretend a character understood something that was just not knowable at the time, but I struggle with it.

Of course there were quacks who knew very well that what they were selling would do nobody any good. For instance this cure for male weakness. Note the positioning.

 

 

If you write fiction

….or want to write fiction, or are interested in the process of writing fiction: 

Insomnia drove me to do some work, but weariness kept me from actually writing. So I spent an hour going through old posts on craft (plot, pov, characterization, etc etc), and I’ve organized them into something I hope is usable.

It’s incomplete, but it’s a start.  

You’ll find the index to these posts under “writing and craft” in the menu just under the top banner. Please let me know if you run into any problems. 

Posts on Writing and Craft

Getting Started

Nuts and Bolts

Pierre Georges Jeanniot 1897

The art and craft of writing sex scenes

This is a series of posts on various aspects of writing scenes with sexual content.

  1. Humor: Funny Sex
  2. Lyricism
  3. NC-17
  4. Less; More
  5. Where Things Go Wrong
  6. Where Things Go Wrong(er)
  7. A Kiss is Rarely Just a Kiss
  8. Reader Feedback: On Writing Sex Scenes
  9. Falling in Love
  10. Good Bad Sex
  11. More Good Bad Sex
  12. Reader Responses to Sex Scenes
  13. fools and angels treading: sensitive subjects in fiction
  14. G or PG or Nothing: Unhappy Readers
  15. Stream of (Sexual) Consciousness
  16. playfulness

 

Sex

I had a very earnest email from Cynthia with a question that deserves an answer:

I am captivated by the life, struggles, and victories of the characters in your Into the Wilderness series. The one thing I find dissonant and disturbing is this intense and at times shocking elaborate sexual revelation. Being a Christian woman who discerns what to read by God’s directive moral command, it leaves me uncomfortable to say the least. Especially the homosexual endeavor in Lake in the Clouds. I know my option is to put down your books and not pick them back up, but there is a quality to your storytelling that I find enjoyable except for that. Why? include it at all. It seems to me it does not enhance your characters, and without it, these books are appropriate for women of all ages. Just curious.

One of the basic truths about storytelling and fiction, in my view of things,  is this: not every book is for every reader. There are well-written, important novels out there that don’t work for me personally.  I can have objections to a novel that are about style, or approach, or subject matter. Hundreds of critical review praising it to the heavens, thousands of five stars reviews by readers: if it doesn’t work for me, that’s something for me to wonder about and explore for myself. It’s not about the novel. For every novel I come across  I have to decide whether the novel is worth my time.

Cynthia is disturbed by sex scenes in my novels because, as she puts it, they are in conflict with her beliefs as a Christian.  

For me personally, religion is not an issue; my understanding of right and wrong is not founded in any scripture or any faith. I am what is generally called a Freethinker. Wikipedia has a good general definition:

Freethought (or “free thought”) is a philosophical viewpoint which holds that positions regarding truth should be formed on the basis of logic, reason, and rationalism, rather than authority, tradition, revelation, or other dogma. In particular, freethought is strongly tied with rejection of traditional religious belief. The cognitive application of freethought is known as “freethinking”, and practitioners of freethought are known as “freethinkers”.  The term first came into use in the 17th century in order to indicate people who inquired into the basis of traditional religious beliefs.

So I have to take religion out of Cynthia’s question and answer it from a different direction: is there any logical, rational reason to omit sex scenes from my novels?

My goal is to tell an engaging story with characters who are as close to life as I can make them. They may face unusual challenges, but in the end they deal with universal issues, things that are common to all of us: simple survival, connections and responsibilities and expectations in relationship to other people and to communities. What makes life worth living, in a more general way.  The way people relate to each other sexually is not a secondary or unimportant element of their lives.

If I write a sex scene, it is because I believe that the scene will contribute to the understanding of the characters.  I don’t write sex scenes to arouse the reader, to titillate or irritate or shock.  Some people enjoy erotica — and there is some beautifully written erotica out there to enjoy, if that interests you — but I don’t fall into that category. In an 800 page novel a handful of scenes that involve sex do not indicate an overwhelming preoccupation with that subject.  

So I write sex scenes for the same reason I write scenes where my characters argue, or laugh, or weep: to tell the whole story. I am sorry to lose a reader because his or her world view requires them to turn away, but I tell the best story I can, and leave this ultimate decision up to the individual.