landscape 97

|| You may know me as Sara Donati, author of the historical fiction series that starts with Into the Wilderness, or as Rosina Lippi, author of Homestead and the romantic comedies Tied to the Tracks, The Pajama Girls of Lambert Square, and other bits and pieces. In any case I'm an author with eight novels in print, and this is my weblog. I post about the art of storytelling (on paper or screen or stage), the creative process, craft (story structure, writing dialog, characterization etc), the business end of things, the art of reviewing and writing prompts that have proved helpful to me as a writer and teacher. And there is also my ongoing experiment in memoir

not yet, but I’m making progress

Just checking in to let y’all know I’m writing well and making progress. Oh and, we’ve got a cover for the Berkley trade paper edition of Pajama Girls.

How is everybody?

PS On another front, I’m spending a part of every day working on the revised second edition of English with an Accent. It’s very odd but quite interesting to get back into linguistics research.

Tags: Book Six, cover art, linguistics, The Pajama Girls of Lambert Square
May also be of interest:

I’m off for a while…

There’s no way around it, I have to buckle down which means, I’m going to be taking a break from the blogosphere. I’ll be around until tomorrow in case you have questions that need answers, and I’ll leave this post open so you can comment if you like or talk to each other.

The summer, the garden, the election, the girlchild, and most of all Book Six are sucking up all my time, and I’d rather step away for six weeks or so than dribble my way to oblivion. How about this: the next time you see a post from… Continue reading

Tags: Daily Grind
May also be of interest:

an addiction, but like any other?

The thing alcoholics and drug addicts have in common? Denial. And isn’t that true of any addiction? Even ones that don’t involve mind-altering substances. Such as storytelling.

If a story I’m following gets cut off unexpectedly, I go into withdrawal. The three last pages of a novel have been removed by some dastardly would-be comedian; a television show is yanked in mid season; an earthquake requires that the theater is evacuated. To me all of these are equally unnerving, because I’m left dangling. Even if I can surmise the ending with some certainty, I need to see it happen… Continue reading

Tags: addiction, Michael R. Weholt, narrative, Paris, storiopathy, theory
May also be of interest: